“Bristow Lyrics” — Amenazzy, Slayter, Tito Flow

Short, club-ready Latin urban track (Latin trap / reggaetón / dembow influences) that foregrounds sexual bravado, nightlife imagery, and the “bodega baddie”-style swagger common in contemporary urban Spanish-language scenes. Multiple artists trade explicit verses and a chant-like chorus.

Historical Context

• Artists & scene: Amenazzy, Slayter, Tito Flow (and collaborators Papy Crish, Gatillero 23) are performers within the Latin urban/trap/reggaetón ecosystem where explicit sexuality, party culture, and bilingual slang are common.
• Positioning: The track fits the late-2010s → 2020s wave of reggaetón/trap that blends Dominican/ Puerto Rican / Caribbean slang, club-centric production, and short chantable hooks designed for playlists, clubs, and social reels.
• Themes in context: Like many contemporaries, the song mixes braggadocio, erotic description, and references to drugs/partying (lean, Marlboro, tequila), creating a hedonistic nightlife portrait rather than a narrative story.
• Audience & function: Intended for adult club-listening, social media clips, and nightlife playlists; repeatable hooks make it performance- and share-ready.

Lyrics (full — as you provided)

[Intro]
Mom, mom, mom, mom
Mom, mom, mom

[Verse 1: Amenazzy]
Couple of blone with Bristow, the room fills with smok
ata michu-michu, yeah, with you I flow
You get me triple X, yah, when you get nasty
I leave it empty, not like these hicks
You have me on a skate, 512 with the lean
You fu*k me how I like it, with you I click
I wove so much s*x that I made her lick

She says that like me, nobody gets her horny, yah-yah

[Chorus: Amenazzy & Slayter]
That’s what turns me on (-quote)
When you get all b!tchy, yeah
How you scream (Mvrda Gvng), and that little face (Eh)
She lets me do whatever I want (Tell me, Amenazzy, (damn)

[Verse 2: Slayter]
We met at the club (Club)
I’m ready to fu*k you, yeah
I’ll throw that guy away (Eh)
When it comes to you, I get turned on (Ha)
I give that guy a kiss (Mua)
And he likes girls, Young Miko (Young Miko)
That pu*sy is a kilo of coc*ine (Coc*ine)
And you suck the thing up real good (Real good), yeah
And that ass on all fours looks s*xy (It looks s*xy)
Spit in his mouth, that’s his fetish (That’s his fetish)
We do a couple of triple X scenes (Triple X)
You have that ass, La Peki, flow (Flow La Peki)

[Bridge: Slayter]
I’ll look for you with the fist on your waist (On your waist)
I’m not Romeo and we’re going on an adventure (Adventure)

She says that ass is mine and she swears it to me (She swears it to me)
This is badass, baby, you’re the toughest (The toughest), yeah

[Chorus: Amenazzy & Slayter]
That’s what turns me on (Mvrda Gvng)
When you get all b!tchy (B!tch)
How you scream, and that face (Eh)
She lets me do whatever I want

[Verse 3: Papy Crish]
You’ve got the controls, I’ve got a suit for you to join
Baby, I can give you some, but don’t make you fall in love
When she goes out to hang out, she turns you on so well
No one turns her on, she’s got the colors
And she takes off her panties, she wants me to explore her body
We’re so close, we don’t use condoms anymore
She dropped her vibrator because of how the guy gets it on
She spends her time fu*king with my fingerprint and Turning on blone
iPorn, it looks like actor mode
That ass comes out first in the explorer
I can really give it to you quietly, you can be my shorty
That ass on all fours, mami, how good it makes you (Four-four)

[Chorus: Amenazzy & Gatillero 23]
That’s what turns me on (-quote)
When you get all b!tchy (B!tch)
How you scream, and that little face
She lets me do whatever I want (Oh, oh-oh-oh)

[Verse 4: Gatillero 23]
I can’t resist, she lets me suck on that ass
She says she likes it best when she finds me queer
When I’m giving it to her, that ass looks hard
I put it in her mouth, she sucks me off while I fu*k
I know you’re not alone, mai, I’m not alone either
Introduce me to your friend, I like fu*king Chorus
I came down bloody with the vibe and the Marlboros
We can raise the note, but I don’t fall in love

[Bridge: Amenazzy]
You plaster it on me when you talk to me like that
When you look at me like that, you get me all worked up
Don’t stop, I’m gonna cum
Keep fu*king me like that, don’t give it to someone else

[Chorus: Amenazzy]
That’s what turns me on (-quote)
When you get all b!tchy (B!tch)
How you scream, and that little face (Eh)
Let me do whatever I want

[Outro: Slayter]
Take it, Tito Flow, damn it

Block-quoted standout lines:
“Eso es lo que me excita / Cuando te pones perra” — central hook: erotic arousal tied to partner’s aggressive/performative sexual energy.
“Tú me pone’ triple X…” — explicit sexual/film imagery.
“De tanta confianza, ya no usamo’ los condone’” — intimacy leading to risky behavior.
“No te pares, que me vo’a venir” — climactic explicit moment.

Step-by-step breakdown

I’ll summarize each lyric line or short cluster in one brief phrase.

Intro (Mamá…): attention-getter / crowd-call. 🔊

Verse 1 (Amenazzy)

• Par de blone’ con Bristow, la habitación llena ‘e humo — party, luxury/drug imagery. 🚬
• Gata michu-michu, sí, contigo es que fluyo — attraction; playful pet-name. 😽
• Tú me pone’ triple X, yah, cuando te pone’ nasty — explicit arousal; hardcore sexual vibe. 🔞
• Yo la dejo empty, no como esto’ hicks — dominates partner; contrasts others. 💥
• Tú me tiene’ en un patín, 512 con el lean — numeric/drug references; intoxicated state. 🛞🥤
• Me singas cómo me gusta, contigo es que yo hago click — sexual/chemistry, pleasing technique. 🔗
• Tanto polvo’ tejío’ que la puse a mimir — party aftermath; exhaustion. 😴
• Dice que como yo, nadie la pone horny — exclusive sexual brag. 🔐

Chorus

• Eso es lo que me excita… — central hook: excited by aggressive sexual behavior. 🔥
• Cómo tú grita’… me deja hacer lo que yo quiera — partner’s vocalization permits dominance. 🎭

Verse 2 (Slayter)

• Nos conocimo’ en la disco… pa’ chingarte estoy dispo — meets at club; available to have sex. 💃🏽
• Cuando te viene’, me excito… a ese toto le doy un besito — arousal, playful intimacy. 💋
• Ese pu*sy e’ un kilo ‘e perico — metaphor equating sex to drugs (perico = cocaine); erotic intensity. ⚖️
• Ese culo en cuatro… que le escupa la boca — explicit sexual position and fetishic act. 🍑💦
• Hacemo’ par de escenas triple X — they film/imagined porn scenes. 🎬

Bridge

• Yo te busco con la glope en la cintura… no soy Romeo — macho, adventurous, not romantic. 🗡️✈️
• Dice que ese toto es mío y me lo jura — possessiveness and claim. 🔒

Verse 3 (Papy Crish)

• Tú tiene’ los controle’… no te enamore’ — controlled sex, not romance. 🎮
• Se quita los pantie’, quiere que su cuerpo explore — consent and sex play. 🔓
• De tanta confianza, ya no usamo’ los condone’ — risky behavior; absence of protection. ⚠️
• Soltó su vibrador por cómo el flaco se la pone — partner replaces toy with skilled sex. 🔌➡️👤
• Ese culo me sale de primero en el explorer — porn-searched imagery / prominence. 🔍

Verse 4 (Gatillero 23)

• No me resisto, me da pa’ mamar el culo — extreme explicit oral/sexual acts. 🍑👄
• Preséntame a tu amiga, que me gusta singá’ en coro — group sex suggestion. 👯‍♀️➡️👤👤
• Podemo’ subir nota pero yo no me enamoro — escalate drug/pleasure level, avoid love. ⬆️❤️‍🔥

Final Bridge/Chorus/Outro

• Me lo emplasta… no se lo de’ a otro — possessive climax and warning. 🛑🔥

Side-by-side annotated lyric sheet

Song details

Theme

• Sexual hedonism & dominance — erotic pleasure presented as primary value.
• Party/altered states — drugs, smoke, lean and nightlife set the scene.
• Possession & performance — desire mixed with possessiveness; partner’s explicit performance is central.
• Risk & bravado — risky behavior (no condoms, drugs) framed as proof of trust/confidence.
• Not romantic — repeated “I don’t fall in love” posture; casual encounters.

Meaning

“Bristow” is an unapologetically explicit club track that celebrates sexual prowess, performative eroticism, and the escapism of nightlife. It intentionally foregrounds physicality, fetishized acts, and intoxication while rejecting romantic commitment. The repeated chorus (“Eso es lo que me excita… cuando te pones perra”) is both a hook and the song’s thesis: the artists are turned on by aggressive, performative sex and the wild energy it creates.

FAQs (short)

• Q: Is the song safe for minors?
  A: No — explicit sexual content and drug references; intended for adults.
• Q: What does “perra” mean here?
  A: Slang: “perra” = aggressive/sexually assertive behavior; used erotically in this context.
• Q: Is “lean” referenced?
  A: Yes — lean is cited (intoxication context). ⚠️
• Q: Is there romance?
  A: No — repeated disclaimers of not wanting love; focus is casual sex.
• Q: Any cultural notes?
  A: Heavy Caribbean/urban slang and references; many metaphors equate sex with drugs/party intensity.

Conclusion (concise + emojis)

“Bristow” is a direct, high-energy Latin urban sex anthem: explicit, provocative, and built for clubs and social media. It trades narrative for vibe — sexual bravado, intoxication, and performative dominance drive the track. ⚡🍑🎧